As the millions of you (if I could address you in terms of your constituent cells, multiple personalities, and gut bacteria) that follow this blog know, my aim is to submit 365 stories this year, one a day. Being roughly on track, it’s hardly surprising to report that, occasionally, the blancmange sticks to the ceiling.
But I’m uncertain as to how much of it will stay, and how much is already peeling off onto my upturned face.
Let me explain. My story ‘Farndale’s Revelation’, which first appeared in DomainSF, has been selected for Nexxis Fantasy’s Corporate Shadows’ anthology. I’ve even signed a contract. However, it’s been utter radio silence since, to the extent that the book should have hit the shelves last month. (Maybe the publication date of ‘31 September 2018’ on their Marie Celeste of a website should have alerted me to something bigger than a typo). Can’t get anything out of them, even though they appear to be actively seeking submissions for their next work. Odd.
Secondly, my sci-fi noir ‘The Fool’ will (hopefully) appear in ‘Deductions, Delinquents, and Detectives’ by Banjaxed Books. Again, communication here is intermittent. I only received acceptance of the tale when I chased, long after writing this market off, receiving an exceptionally charming and apologetic email. But then, nothing. Confusingly, the website talks about the high number of high-quality submissions received, but that they’ve held the doors open for a bit longer so as to publish two volumes of genre-melding mysteries. I have more faith in this one appearing, particularly as they successfully published their first anthology, Chaos of Hard Clay, although I haven’t seen a contract as yet.
Thirdly, and I think this will happen because there’s more than just a book going on, my space-trucker fable ‘The Loimaa Protocol’ has been selected for the anthology to be published alongside WhimsyCon, Denver’s steampunk and cosplay convention. Odd, really, given the story isn’t steampunk, and there’s little potential for dressing up to it. Apart from space helmets. We’ll see what the good burghers of Colorado make of it next March.
Plus, I've delivered my rewrites to James Gunn's Ad Astra, and I have a drabble that's made it over the first hurdle at Daily Science Fiction.
So, all is rosy? Well, only if roses are the main thing. And these roses generate very little in the way of magic beans. To me, short fiction is a signpost to my longer works, which pay their way on purchase, not on publication (did I mention my novel ‘2084’ is still available?). But the cornfields are, to be honest, neglected; my current novel having been hardly pushed forward this year.
It will be, I keep telling myself. But only when I’ve written that story about ghosts from the future, of course. And the human origin story involving multidimensional beings. And the Victorian steampunk tale that may be the imaginings of a tortured mind in the here and now. And the one about the jester and the creature that absorbs malice or goodness...
But I’m uncertain as to how much of it will stay, and how much is already peeling off onto my upturned face.
Let me explain. My story ‘Farndale’s Revelation’, which first appeared in DomainSF, has been selected for Nexxis Fantasy’s Corporate Shadows’ anthology. I’ve even signed a contract. However, it’s been utter radio silence since, to the extent that the book should have hit the shelves last month. (Maybe the publication date of ‘31 September 2018’ on their Marie Celeste of a website should have alerted me to something bigger than a typo). Can’t get anything out of them, even though they appear to be actively seeking submissions for their next work. Odd.
Secondly, my sci-fi noir ‘The Fool’ will (hopefully) appear in ‘Deductions, Delinquents, and Detectives’ by Banjaxed Books. Again, communication here is intermittent. I only received acceptance of the tale when I chased, long after writing this market off, receiving an exceptionally charming and apologetic email. But then, nothing. Confusingly, the website talks about the high number of high-quality submissions received, but that they’ve held the doors open for a bit longer so as to publish two volumes of genre-melding mysteries. I have more faith in this one appearing, particularly as they successfully published their first anthology, Chaos of Hard Clay, although I haven’t seen a contract as yet.
Thirdly, and I think this will happen because there’s more than just a book going on, my space-trucker fable ‘The Loimaa Protocol’ has been selected for the anthology to be published alongside WhimsyCon, Denver’s steampunk and cosplay convention. Odd, really, given the story isn’t steampunk, and there’s little potential for dressing up to it. Apart from space helmets. We’ll see what the good burghers of Colorado make of it next March.
Plus, I've delivered my rewrites to James Gunn's Ad Astra, and I have a drabble that's made it over the first hurdle at Daily Science Fiction.
So, all is rosy? Well, only if roses are the main thing. And these roses generate very little in the way of magic beans. To me, short fiction is a signpost to my longer works, which pay their way on purchase, not on publication (did I mention my novel ‘2084’ is still available?). But the cornfields are, to be honest, neglected; my current novel having been hardly pushed forward this year.
It will be, I keep telling myself. But only when I’ve written that story about ghosts from the future, of course. And the human origin story involving multidimensional beings. And the Victorian steampunk tale that may be the imaginings of a tortured mind in the here and now. And the one about the jester and the creature that absorbs malice or goodness...
No comments:
Post a Comment